‘The Nice Guys’ (2016) Review

The Nice Guys (2016) Review: Action Comedy At Its Finest Being a big movie fan, you tend to hear certain names pop up now and again. There's the usual like Spielberg, Cameron, Kubrick, Tarantino. Those are sort of introductory level names. As you go a little deeper though, you hear names that are a little more obscure, whose work isn't exactly mainstream, but not exactly indie either. One of those names is Shane Black, who's known for visceral action, biting comedy, profanity, and of course, Christmas. I wasn't aware of his work when I was younger, and I wouldn't have been allowed to see any of it anyway, but now, at the tender age of 19, I was finally able to see a Shane Black movie. I just hoped he hadn't lost his touch while I was growing up.Thank Christ he didn't. 'The Nice Guys' was easily my most anticipated film this year, and it far and away did not disappoint me. To get into the story, it's very simple. It's an old timey "Who dunnit" mystery, where a small crime ends up being connected to a larger conspiracy, and it's up to two unqualified heroes to stop it. The heroes in this case are the titular nice guys. Jackson Healy, an unofficial but capable muscle man for hire, played by Russel Crowe, and Holland March, a licensed, but largely ineffective, private investigator, played by Ryan Gosling. Both are morally grey characters…

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‘X-Men Apocalypse’ (2016) Review

X-Men Apocalypse (2016) Review: Uncannily Boring X-Men has never been my favourite superhero franchise. As action movies, they've had a few stand out moments here and there, and as superhero movies, there haven't really been characters to follow besides Wolverine who kind of ran his course. That is of course until they went the prequel route. What is typically the kiss of death for a franchise, 'X-Men: First Class' breathed new life into the X-Men. Watching Professor X and Magneto become life long frenemies was interesting and there was a bona fide anti-heroine story worth a damn in Mystique. That in mind, I went into 'X-Men: Apocalypse' optimistic, despite not expecting anything fantastic.  So was it fantastic? Well not really. In fact, 'X-Men: Apocalypse' is kind of boring. Set ten years after the events of 'Days of Future Past', the movie gives us a world in which mutants are now known to the public, Xavier's school is fully up and running, and Magneto is on the run from the law after dropping a football stadium outside the white house. That'll ruffle some feathers. As the status quo is set, the film also introduces the world's first, all powerful mutant, Apocalypse. After being asleep for 3,000 years, he wakes up to a world where mutants are oppressed and vows to destroy it to craft a new one in his image. To say he's got a God complex is a slight understatement.There are a few…

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‘Barbershop: The Next Cut’ (2016) Review

Barbershop: The Next Cut (2016) Review: Fresh & Sharp When I was a kid I used to watch shows that were created for the sole purpose of getting across some message. Don't raise your voice, read your bible, eat your vegetables. Back in the day, the message was always crystal clear, as in, completely spelled out for me. The best messages though were the ones that weren't put straight in my face but had subtlety about them. The problem with that is, you're never quite sure if the audience gets it, so the choice is either to talk down to them, or hope the message doesn't get lost. 'Barbershop: The Next Cut' is a movie that definitely has a message in mind, several messages, but finds a way to put it in your face, without talking down to you. The story goes that in the wake of intense gang violence in the south side of Chicago, Ice Cube's Calvin must decide if he can suffer the ills of a violent community, run a successful business, and raise his son. As the problem doesn't seem to be fixing itself, the crew of the barbershop propose a 48 hour period of non violence, to show that their home doesn't need to be the war-zone it currently is. The best part about this movie is the dialogue that surrounds it. Calvin's barbershop is home to conversation that feels purposeful, but at the same time completely common place…

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‘Mother’s Day’ (2016) Review

Mother's Day (2016) Review: Sorry, Moms. I can't fault a movie like 'Mother's Day' for existing. It's a two hour greeting card put to film that stuffs all the faces that mothers like seeing. Julia Roberts. Jennifer Aniston. All it's missing is a Sally Field or a Sandra Bullock and it would literally have everyone's mom's favourite actress. So why wouldn't you make it? It makes perfect sense. What doesn't make sense is that it would be this bad.Okay that's a lie. That makes sense. The reason that makes sense is that it's from director Garry Marshall, who's last two movies were 'Valentine's Day' and 'New Year's Eve'. Films that follow the same basic concept of 'Mother's Day'. Take a holiday, think of as many different situations you can think of that sort of apply to that holiday, and smush em all together 'Love Actually' style. The difference being that while 'Love Actually' organically wove its multiple story-lines into a compelling narrative with engaging dialogue, these films just kinda don't.Truly, the first act of the film seems to be ongoing, as if I've not yet left the theatre. I still feel like I'm being introduced to more and more characters, with so many story lines that you start to get the equivalent of cinematic whiplash. The different conflicts by themselves might make for their own mediocre, yet sweet films about a certain type of family dynamic. The problem is there's so little time devoted to each one that as they're being set up, you can see the resolution…

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‘The Jungle Book’ (2016) Review

The Jungle Book (2016) Review: New Old World. Remakes have always felt weird to me. They exist because of a desire to update an old story for a new audience, but only get made when the old audience still has nostalgia for the old story. Right there you run the risk of alienating the people who made it what it is, and most of the time striking indifference with the new generation. Most of the time it's to be given a facelift. A top to bottom revisualization using new technology, and sometimes an old tale can be applied to a new world issue. Either way, remakes, like prequels, inherently feel unnecessary. It can be hard to shake the cynicism that follows them. 'The Jungle Book' is such a remake, but it definitely doesn't feel like a waste of time. The story is essentially the same as the Disney animated classic. Mowgli is a human child who was raised by wolves, and is forced to run through the jungle as the evil tiger Shere Khan, voiced by Idris Elba, hunts him down. As he makes his escape with the ever so faithful panther Bagheera, played by Sir Ben Kingsley, Mowgli encounters more of the jungle than he's ever seen and along the way finds his place in the world. The changes in the film are almost entirely tonal. The story has a greater sense of dread than the original, and the world itself has a much more…

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‘Captain America: Civil War’ (2016) Review

Captain America: Civil War (2016) Review: If It Ain't Broke... It's the first weekend of May and while that might not actually be the beginning of summer, it is the start of the blockbuster summer season. Coming our way weekend after weekend are movies with big budgets that hope to have even bigger box offices. Question is, for all the money being thrown about, will they be any good? Maybe not, but with school out and the planet getting warmer every year, a mindless movie in a dark air conditioned theatre sounds just fine to me. The hope is that every time you step into that theatre, you get a little more than you bargained for.That's pretty much how I'd describe the first of the blockbusters, 'Captain America: Civil War'. A movie that bounces around a lot of ideas, but the main idea is the most enticing. After the disastrous calamities that have struck the world since the original 'Iron Man', the nations of the globe decide they're kind of tired of their buildings falling and citizens dying because of an Avengers scuffle. To make sure that doesn't happen, the United Nations develops 'The Sokovia Accords', a regulation that would control how and when the Avengers avenge.On one side you have Captain America, who opposes oversight of any sort. He's of the view that the freedom to choose when to act is what the Avengers are all about. On the other side,…

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‘Batman v Superman: Dawn of Justice’ (2016) Review

Batman v Superman: Dawn of Justice (2016) Review: I Think I Hate Superheroes Now. The very first review on this blog is for Zack Snyder's 'Man Of Steel'. In that review, I compared the development of a new 'Star Wars' movie as being just as ambitious as bringing Superman back into the modern cinematic conversation. Not only by himself, but for the purposes of ushering in a new universe of superheroes that included some of the most recognisable comic book characters across the world. While the movie had it's problems, I nevertheless maintained that there was enough groundwork laid to give me hope for where this story could go, and that the mistakes made weren't so grave that they couldn't be rectified, with a little attention to audience feedback.Oh what precious innocence hath left me today.For starters, I'll make this review brief. Odds are you're already planning to see the movie called, 'Batman v Superman: Dawn of Justice' (henceforth known as BvS) if for nothing else than to get a glimpse of the titular battle between these two huge counterparts. This review isn't going to stop you and neither should it, your opinion is just as good as any. So this piece of writing isn't for you, it's for me. Therapy is expensive and this is next best way to express my trauma.Following the events of 'Man of Steel', BvS imagines a world where the events at the end of that film…

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’10 Cloverfield Lane’ (2016) Review

10 Cloverfield Lane (2016) Review: There Be Monsters. Back in the old days of...2008, there was a little movie called 'Cloverfield'. 'Cloverfield' was a found footage film that told the giant monster movie from a much different perspective. It's heralded today as one of the best movies to use the found footage technique, and an example of how you can take something as familiar as a giant monster movie, and still find a way to make it feel fresh. Putting the audience on the ground with the characters and forsaking grand spectacle for gripping tension sounds so obvious in hindsight, but at the time, it really wasn't done for monster movies.So, let's say the world did end. Whether it be war, zombie uprising, alien invasion or the mole people (that last one is true), the ideal is to survive right? As human beings our instinct is to survive by any means necessary. This is true for some people more than others though, those who prepare for the end based on their own misplaced paranoia. That person may be prepared, but they're still the type of person to prepare for the world ending without any real reason. That's not a person who I want to be surviving with, that's a person who belongs in a mental institution.Essentially that's the idea behind 10 Cloverfield Lane. It's a catch 22 of, yes the world outside is dangerous, but now you're stuck with an insane person…

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‘Zootopia’ (2016) Review

Zootopia (2016) Review:Animals Are Racist Too In my review for Godzilla, I mentioned how Science Fiction movies have a tendency to be allegorical. The bright lights and cool sounds of a sci-fi movie are like the spoonful of sugar that makes the medicine of real world issues go down. The same principle applies to animated movies, except sci-fi tends has a broader audience. Sci-fi movies are treated like the kids movies for people who consider themselves too old for kids movies.Animated movies are typically made for kids. As such there's a much more delicate act in making a movie with an underlying message, since the people you're trying to reach are kids who unfortunately get bombarded with dreck like The Minions movie. Every once in awhile though, a movie like Zootopia comes along and reminds you that not only can animated movies do teach you something, but it's so important when they do.'Zootopia' is a movie that takes place in an alternate universe from our own. One devoid of humans but still containing human inventions like the iPhone. Imagine a world where animals evolved to have the intelligence necessary to develop a society in which lions, tigers and bears could coexist with creatures formerly known as their prey. Such a place would be something of a zoological utopia.The main character of the film is a bunny called Judy Hopps, played by Ginnifer Goodwin. Judy comes from a family of carrot farmers (get it?) who has big dreams of becoming the…

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‘Deadpool’ (2016) Review

Deadpool (2016) Review: Stupid Good. This movie shouldn't exist. It just shouldn't. It's based off a character whose cinematic debut was in X-Men Origins: Wolverine, one of the worst reviewed comic book movies of all time. Typically not a good resume, but when you couple that with the fact that the director's previous directing is a pair of short films and some visual effects work, this film does not have the parts that make up a typical success. Then there's of course the lead, Ryan Reynolds, who hasn't really owned a character since Wilder, and who seems to be superhero movie poison, as his last few attempts at the genre have resulted in rounding out that list of worst reviewed comic book movies. Still though, it's not uncommon for studios to take a chance on a name character, especially if there's an audience for it, but it's not a surprise that this movie got made, it's a surprise that it's really this good. So what is 'Deadpool'?  Well, actually, the movie is more about who Deadpool is as a character. Whereas most superhero films feature stories about characters who wear bright costumes as symbol of truth, justice and the American way,  Deadpool is simply put, a different type of superhero. I hesitate to tell you more about the character, or about the plot of the movie itself, because I truly believe that it's something that's best experienced blindly. All you need to know is that this is a superhero movie, but not one like something you've…

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