'Dolittle' (2019) Review: Talking To No One 2020 is not even a month in and we already have not only one of the worst movies of the year, but a strong contender for a spot on the worst of decade list. Yet unlike so many films as bad as this one, it seems ‘Dolittle’ is a victim of its own ambition. The casting is inspired, the visual effects impressive, and it’s led by the leading man of the last decade, Iron Man. Everything points to ‘Dolittle’ being a runaway hit. Would that it were so simple. Upon opening, the film shows promise. The tale of Doctor Dolittle and his wife traversing the world unfolds is beautifully simple animation. It’s a touching beginning to what is otherwise a turgid and unmitigated disaster of a film. After a lifetime of adventures, Dolittle became a shut in after the death of his wife, keeping his genius from the world at large. If only his film took the same approach, keeping itself from the viewing public.From that point, Dolittle becomes the target of two persistent children. One, an animal lover bringing an injured squirrel to the good doctor’s attention (Thanks to the guidance of a talking parrot voiced by Emma Thompson who, bless her heart, is giving the performance of a lifetime). The other, the child assitant to a child queen who has suddenly fallen ill, and is resistant to conventional medicine. The only answer is of…