The Intruder (2019) Review: A Crime to Cinema For many, last week’s ‘Avengers Endgame’ was the peak of blockbuster cinema. Everything from the early days of Jaws and Star Wars paved the way for the monstrous display of superheroics that landed in theatres. A real example that even though it’s never been easier to enjoy a film from the comfort of your own home, there are still reasons to go to the movies. If it seems that it can’t get any better, then the only way to go is down. And there is no further down than ‘The Intruder’This film is a distinct reminder that not everything that makes it to the cinema is worthy of being there. Going to the cinema requires a commitment. Aside from the price of admission, you have to set aside a particular time in the week for a theatre showing, hope for a reasonable crowd, and depending on where you live or work, make the drive, walk, or run, to your seat. Going through all that just to watch ‘The Intruder’ is a bit like being waitlisted for a fancy restaurant, only to be told the only thing left in the kitchen is soup and bread. And not the good stuff.It’s not a difficult premise to summarise. In fact it’s a stunning parallel to director Deon Taylor’s last travesty ‘Traffik’, which happens to be one of the worst films of 2018. A young newlywed couple, played…