‘Respect’ (2021) Review

'Respect' (2021) Review: Requiem For A Queen There are many roles that feel like the result of divine intervention. Actors who come along at the right time for the performance they were born to play. For Jennifer Hudson, that destiny is manifested in ‘Respect’, as she pays tribute to the Queen of Soul. Hudson was even selected by Franklin herself. Still, while the royal appointment was made, the rest of the film had the work of doing justice to the story of an icon. Thankfully, ‘Respect’ delivers. The film is a moving story that chronicles the journey of a young woman beset on all sides by the inequities of the selfish and the tyranny of evil men. From her controlling father to her abusive husband, much of Aretha Franklin’s story is portrayed as a tale of the world's strongest voices being silenced at every turn. The darker elements of this biopic give the movie a sense of despair, yet through it all Hudson gives Franklin a quiet resilience. There’s a confidence she has in moments of dread. Whether it’s confidence in her talent, or her trust in the Lord, Hudson moves with a faith that’s tested repeatedly throughout the film. The movie is also a who’s who of 60s and 70s. Legends like Dinah Washingston and Smokey Robinson make brief appearances. Beyond the music, the film makes a point of Franklin’s activism. ‘Respect’ is a wide reaching and expansive film that takes a person who…

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‘Jungle Cruise’ (2021) Review

'Jungle Cruise' (2021) Review: Fun & Familiar There’s a moment in ‘Jungle Cruise’ in which cruise captain Frank single handedly wrestles a hungry cheetah, and wins. The movie has an explanation for why this impossible thing occurs, and for the most part it’s acceptable, but it was not lost on me that no such explanation was necessary. When it comes to Dwayne Johnson are more than willing to accept impossible acts of heroism. ‘Jungle Cruise’ is the film that takes that reality, and pushes it to the very limit. Yes I'm aware this is the same man who tried to convince audiences he could flex his way out of a cast.Throughout this movie, the three heroes at the centre of it face all the threats the jungle has to offer. Poisonous plants, headhunters, wild animals, and if that wasn’t enough, a group of cursed conquistadors with more magic abilities than the Hogwarts Alumnus. It’s a setting that makes for some thrilling moments, though not exactly dreadful. While flora, fauna, and fantasy make for the most sever threats, the heroes of this film also have to contend with the human element. Naturally, the film sets Jesse Plemons and Paul Giamatti to play over the top charicatures. Giamatti as an Italian meatball, and Plemons as a nazi in everything but name. Giamatti's words are never without an exuberant gesture, and Plemons' only excuse for not twirling his moustache is that it's not long enough…

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‘The Suicide Squad’ (2021) Review

'The Suicide Squad' (2021) Review: Dream Team For the uninitiated, comic books can be incomprehensible. They’re chock full of strange elements of a wide variety. Yet beneath the trippy visuals and concepts, lies an undeniable humanity in its characters, and their stories. The Suicide Squad is a film that embraces that truth, leaning into the weird and delivering a movie that has more heart than most blockbuster movies. That, and a giant bipedal shark with the voice of Rocky Balboa.‘The Suicide Squad’ depicts the latest mission of Task Force X. A team composed of the most disposable supervillains in DC comics. Villains such as Idris Elba’s Bloodsport, John Cena’s Peacemaker, and most importantly, Margot Robbie’s Harley Quinn. The mission is simple. In the dead of night sneak into the island nation Corto Maltese, infiltrate their secret facility, and destroy the mysterious “Project Starfish” before it can be used as a weapon against the United States. Along the way they’ll encounter numerous obstacles, most of which are self imposed. The Suicide Squad isn’t the most accomplished team, but it’s by far the most entertaining. Their antics and mishaps are also profoundly bloody. The violence in ‘The Suicide Squad’ is visceral and gratuitous, lingering on grotesque imagery, but not quite long enough to process what you just witnessed. Viewer discretion is highly advised for the faint of heart. Despite it’s gore, the movie is also remarkably beautiful. It manages to create empathy for the worst of…

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‘Wrath Of Man’ (2021) Review

'Wrath Of Man' (2021) Review: Middling One Man Army Jason Statham is no stranger to action, but then, why would he be? Too grizzly to be a leading man in a romantic comedy, and he has a voice that's great for making threats, but not exactly monologues. He's the personification of toughness, and he does it well. No one knows this better than Guy Ritchie, the director of 'Wrath of Man', who also directed Statham in the actor's first ever film. It's that understanding that makes this performance one of the best in Statham's career. If only it were in a better film. Perhaps its more that Statham does more with less here than his usual roles. Most of Statham's screen time in this film is devoted to a simple look. A mean menacing mug to ward off any unwanted company. Few actors could be as terrifying as he is, but few actors are as imposing as Jason Statham. It's an effective performance as a silent killer with the utmost focus on the task at hand: Avenging the death of his only son. He's not a man of many words but when he has something to say, it's unfortunately some of the worst dialogue. Even by action movie standards. If this review seems heavily focused on Jason Statham, that's because the rest of the cast may as well be nonexistent. They're forgettable with the exception of Scott Eastwood, who sports a scar on his…

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‘Snake Eyes’ (2021) Review

'Snake Eyes' (2021) Review: Batman Begins Again After a tight lipped debut in 2009’s GI Joe, the character of Snake Eyes, has had a rocky road back to the big screen. Now without a team by his side, the story of the masked man without a voice can finally be told. Yet, for what’s supposed to be the untold story, finally told after a decade of anticipation, ‘Snake Eyes’ feels like it lacks identity.That’s a major component for any film, but especially an origin story like ‘Snake Eyes’. There is a story to be told here. Stop me if you’ve heard this one before but, a young boy witnesses the death of his father and swears vengeance on the people responsible. He travels far and wide as an underground fighter, only to be discovered by someone who can give him the skills he needs to complete his mission. The first act of the film borrows heavily (or outright steals, you choose), from another popular origin film about a man who dresses head to toe in black and names himself after a creature, Batman Begins, and does so with shameless speed. The film blazes through its shoddy opening scenes as if it's embarrassed to present them. After that the movie finds its rhythm as Snake Eyes undergoes his training to become the skilled master he’s meant to be. When it comes time to show that skill however, the movie flatlines. The action in the film…

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‘Space Jam 2: A New Legacy’ (2021) Review

'Space Jam 2: A New Legacy' (2021) Review: Nostalgic Noise I’ll admit it. It’s fun to be (at the movies) in 2021. The recent slate of blockbuster movies have been a reminder of how good they can be. The winning combination of state of the art visual effects with compelling and fantastical stories. It’s been a good ride, but all things must come to an end. That end comes with ‘Space Jam 2: A New Legacy’, the year’s first major disappointment. It’s hard to call something a disappointment if there wasn’t much hope for it to begin with. This sequel to the 1996 original features Lebron James as himself, trapped by a movie studio algorithm, played by Don Cheadle, one of the movie’s few saving graces. Lebron is forced to play a game of basketball to save his son. As nonsensical as it sounds, it’s a comfort that ‘Space Jam 2’ doesn’t spend too much time on its premise. More time is spent keeping up with the James’. Lebron’s fictional family anchors the basketball legend as a flawed protagonist. He loves his wife, his kids, but his son would rather create an entire video game than pick up a basketball. He’s a father struggling to understand his kids, while trying to show them who he is. It’s an endearing role, full of pathos, and not one Lebron James is remotely capable of pulling off. In every scene the main character looks befuddled and confused, whether…

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‘Black Widow’ (2021) Review

'Black Widow' (2021) Review: Marvel Gets Mature When on the run from the United States Government for her crimes in ‘Captain America Civil War’, Scarlett Johansson’s Natasha Romanoff takes some much needed vacation time. Camping out in hiding doesn’t last long though, as she’s soon under attack by a living weapon, Taskmaster. An enemy with the capability to perfectly mimic its opponent. To survive, the Black Widow will need to confront the past she’s been running from her entire life.That past includes a contentious family reunion, and a reckoning with Natasha’s past sins. Sometimes at the same time. Florence Pugh plays Yelena, Natasha’s estranged and adoptive sister, who is an assassin herself. Their relationship is the most compelling aspect of the movie, with Florence Pugh almost stealing the limelight from her co-star. The movie brings humour in their sibling rivalry, but ultimately finds its way back to a heartfelt tale as they set out to confront their shared childhood trauma, and try to put a stop to it ever happening to anyone else. ‘Black Widow’ doesn’t try to make light of its story, and makes that clear from the beginning. The film opens in 1995 as a young Natasha Romanoff is taken from her idyllic family life into one of pain and suffering. A hard cut to 21 years later and ‘Black Widow’ sets the audience up for a film that puts away childish things. For the most part, Marvel films are disarming. Even…

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‘F9: The Fast Saga’ (2021) Review

'F9 : The Fast Saga' (2021) Review: Big & Boastful. It’s hard to think of a film series with more humble beginnings. What began as a gritty exploration of underground street racing, has evolved into a spy action adventure franchise with the kind of special effects one used to expect from movies with either superheroes or dinosaurs. 'F9: The Fast Saga' is the culmination of 20 years worth of history, but more than that unprecedented achievement, the series is now trapped in an unending pursuit of bigger and better visuals to justify its existence.Whereas Marvel films operate on a superhuman basis, Fast and Furious maintains that its protagonists are in fact human. The job of the film is to put these ordinary heroes into countless situations that by all accounts should leave them either intensely injured or fatally wounded. F9 is exceedingly good at visualizing these dangerous situations, but is less interested in explaining how exactly the crew does the impossible again and again.Truthfully, the film would be worse for it. The movie is most entertaining when it moves at a nitrous speed from one action event to the next. Any attempt to make sense out of it would surely kill the fun F9 brings to audiences. The film flexes the kind of self awareness to push the series into full blown parody, while still showing some mileage left. That mileage will run out once the films stop being fun. Fast 9 thankfully…

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‘Cruella’ (2021) Review

'Cruella' (2021) Review: Emma vs Emma Of all the Disney villains in history, there are none quite so devious as Cruella De Vil. Royal traitors like Jafar and Scar take the prize for most ambitious, but there’s a particular black heartedness to planning the murder of a hundred adorable puppies simply for something nice to wear. A coat which, by all accounts, Cruella would have likely forgotten about or thrown out the moment she was tired of it. There’s no sin more original than that, so it’s easy to understand why you’d want to make a movie about that person. Why ‘Cruella’ decides to tell the story about such a villain with a sympathetic view? Your guess is as good as mine. Still, that’s the tale that is told in the live action ‘Cruella’ in which Emma Stone plays a relatable young fashion designer with a bit of a mean streak.Early in the movie Cruella’s life as a young girl named Estella, shows that mean streak in its infancy. She’s hot tempered and will get herself into trouble as naturally as a dalmatian wears its spots. Rarely though is her bad action unfounded. Her methods are extreme but the film always roots her reaction in empathy. Cruella is a protagonist you can easily get behind, especially given her storied past.Soon after, Estella becomes Cruella proper, and unfolds the mystery of her past, while making an explosive entry into the London fashion scene. Standing…

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